Perhaps too conveniently, Brad is not only gay but once also spiraled out of control abusing drugs, finding salvation in rehab. Jack’s life starts to turn around after he meets his birth mother (Laralu Smith) and half-brother, Brad (a highly appealing Andrew Glaszek). It’s only a matter of time before Timothy’s “look but don’t touch” stance morphs into something violently carnal. The erotic heat between Jack and his impossibly hunky drug buddy is palpable, intensifying as they do their seductive tango. To its credit, “Up the Rabbit Hole” manages to generate no small amount of tension. Peter Gregus and Tyler Jones in “Up the Rabbit Hole.” | KEVIN CRISTALDI One even finds Jack home, in his underwear, watching porn on the computer, doing lines all by himself. This is just one of many coke-fueled scenes.
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And when he spies what he thinks is spilled coke on the floor, he takes a straw and starts snorting. Timothy is so coked up, he’s paranoid about the neighbors hearing them through the gap under the door. Jack, who wonders aloud if he still qualifies as a twink, is unabashedly gay - nattering on about dance, Liza Minnelli, and Donna McKechnie, later lip-synching to Eydie Gormé’s rendition of “The Man I Love.” If Timothy says he’s straight and has a girlfriend, he also has a serious cocaine habit that Jack is all too happy to finance, even though he himself is strapped for cash.Īt times, Halliday’s script feels remarkably authentic and is rich with detail. He’s a hustler on every level, and when he claims he has modeled for Abercrombie & Fitch, it’s easy to believe. Johnson, opens with Jack in his New York studio apartment dominated by a large mattress, doing mounds of coke with a blond, chiseled Adonis named Timothy (Quinn Coughlin), a shady model/ actor/ cater-waiter. His dance career is sidelined by a major hamstring injury, and he yearns to locate his birth mother. Gay man strives to climb out of jagged chasm of sex and drug addictionīased on the playwright’s own harrowing journey of abandonment, drug abuse, and recovery, the story revolves around Jack (Tyler Jones), dealing with self-esteem issues surrounding being adopted. “Up the Rabbit Hole” is a raw, unflinching appraisal of a young gay man’s descent into the hell that is drug addiction, and, as the title suggests, his struggle to climb out of it.
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He wrote the drama, in part, “to wake our community up to this epidemic that no one is talking about and to disrupt the idea that we must constantly propagate a positive queer image.” With “Up the Rabbit Hole,” Halliday wants to change the conversation.